Friday, February 27, 2015

2/25/2015 Ensemble Blog

Hi everyone! Thank you very much for a productive and fun rehearsal this week. It was great to see you all. 
Here are some notes for you to prepare for next time!

Amazing Grace:

Minimize the scooping and keep the vowels tall!
Remember to memorize the harmony.
Ol' Time Religion

Altos - Bottom of page 9 (It was good for Daniel...), should be 100% by next rehearsal. No excuse for wrong notes there!
Sopranos - Ending section (Walk, walk) should also be 100% by next rehearsal. Don't be shy, sing it out!
Write in the solfege in unfamiliar sections and practice with that, and then bring the words in.

The Storm is Passing Over

Make sure that the staccato notes are different from the 'marked' notes (marcato)
Work on the second chorus line "The storm is passing over" - everyone should be together on the different rhythm by next time!

Peter, Go Ring-a Dem Bells

Work on the rhythms in the midsection.
Write in solfege from page 10 on when the song gets much different. 

Let it Shine!

Review the whole piece, please pay close attention to the brightness of the vowels in the word "mine".

Musicianship:
Musicianship A's assignment: complete the assignment that you were given over the Winter Break.
Musicianship B: your assignment will follow soon - look out for a Blog update notification just for you!


Friday, February 13, 2015

2/11/2015 Ensemble Blog

Dear Ensemble singers and families,

Thank you again for a wonderful performance last Saturday at Cantabile’s 20th Anniversary Gala!  You performed with joy, energy and excellent sense of the jazz style and it was electrifying to hear and see!
And now – onto the next fabulous set of music! Our last rehearsal was a great big step toward learning the music and getting in “under your skin”
Remember, there is no rehearsal next Wednesday, Feb 18th.   Have a great ski break and remember to practice at least 3 hours (or more!) before our next rehearsal on Feb. 25th
Ensemble Rehearsal Notes, Feb. 13th

Ol’ Time Religion:
Expectations for February 25th rehearsal
1.       Know your part very well. Sing with appropriate style as rehearsed and discussed.
2.       Be able and ready to sing your part on solfege syllables (write them into the score, it is very helpful)
How to get there: Use the following tips to help you practice
ü  Speak the text in rhythm. 
ü  Sing through the notes on Solfedge.
ü  Sing through using the text.

Bedu Pako :
Expectations for February 25th rehearsal
1.       Words learned with correct pronunciation
2.       Know the translation of the Garwali text – understand what you are singing!
3.       Clear understanding of the your part’s road map and which part you sing when sections are divided.
4.       Ability to sing your part with words
How to get there? Use the following sequence to help you practice:
ü  Listen to the recording provided on the previous blog post.  This is a very important step.  Repeat it often!
ü  Speak through the text. 
ü  Sing through the melody on “Du.”
ü  Add the text to the melody! 
·         Notes about the text:
1.    Bedu = Beru
2.    The “d” sound is created by flicking your tongue off the roof of your mouth.
3.    “R’s” should be flipped (no American Rs—thank you!)
·         Remember that at measure 35 Soprano 1’s sing the top line, Soprano 2’s the second line, Alto 1’s the third line, and Alto 2’s the bottom line with girls on the top note (E) and boys on the bottom (A)

Amazing Grace:
·         Remember that for the March festival you need to learn harmony rather than the melody since all guest choirs will be singing melody throughout.
·         Please review your part making sure to be singing the Treble III line on pages 6-7 and 9-10.
·         Keep it beautiful and artistic!  Limit the scooping and stylizing that is so easy to add.  What may be appropriate when you are singing as a soloist is not always appropriate when singing with a choir!

Day Break:
·         Again, listen to the recording provided on the previous blog post.  This is a fantastic recording and a wonderful resource for you to get the sound of this piece in your ears.  Repeat often!
·         Use the break to review the work we have done previously. 

Musicianship Notes:
Musicianship A please complete the assignment below. Musicianship B your assignment will follow on Tuesday, February 17th!


Thursday, February 5, 2015

Gala instructions & repertoire notes

February 5, 2015
Dear Ensemble singers and families,

I hope you are looking forward to SATURDAY and the Twentieth Anniversary Gala Celebration in honor of Signe Boyer, the founder of Cantabile!  It will be an exciting evening in which you will be able to join with the singers of Vocalise and Bravi, a professional jazz trio, and Elena to create beautiful, celebratory, jazz music!  Please see below for concert reminders and practicing directions.
Saturday, February 7 Gala Celebration

Where: Stanford Faculty Club, Palo Alto (439 Lagunita Drive, Stanford, CA 94305)
Ensemble Call Time: 5:30 pm
Uniform: arrive wearing Cantabile concert uniform, blue pin/blue tie from the holiday concert, make-up and hair done - there will not be time or space to change and there will not be shared make-up available.
Sign In:  Inside Stanford Faculty Club, at the bottom of the stairs.
Sign Out: Tresidder Building, upstairs in Oak Room West.
Sign Out Time: 9.30 pm – all singers.
Enjoy snacks, pizza and a movie after your performance at  approx 7.45 pm. You can also bring a book or some homework to do while you're in your Green Room (Oak Room West).
Reminder: This is an exciting evening full of joy and celebration, but the rehearsal will demand your complete focus as you will be putting the pieces together with Vocalise, Bravi, and the jazz trio for the first time.  You will be hearing scat and improvisation sections that you have not heard before.  You must be prepared, attentive, quiet, and on task during the rehearsal.

Concert Repertoire List/Order

In Approximate Order:
Blue Skies (Vocalise, Bravi and Ensemble)
Sir Duke (Vocalise and Ensemble)
Gershwin Medley (Vocalise)
There Has to be a Song (Vocalise, Bravi and Ensemble)

Ensemble Rehearsal Notes

Blue Skies:
·         Remember one of the most important rules of jazz articulation: 
Syncopation only works when preceded by silence! Make sure to “lift” right before executing a syncopated note.
·         Please review notes for measures 53-66, particularly Soprano II’s.
·         Review the ending, measures 73 to the end, particularly Soprano I’s.  Be prepared to go up to the C!
·         “Going so right” and “My how they fly” are surprises….soft surprises!

Sir Duke:
·         Again Remember:  Syncopation only works when preceded by silence!   
·         Remember the differences in the lyrics: Verse 1 = “They can feel it…”, Verse 2 = “You can feel it…”
·         Review the ending chord on “Sir Duke.”  Get to “Sir” quickly and “Duke” is short.
·         Small, fast mouth on the scat section.  Front of the lips.  No wide mouths!

There Has to Be a Song:
·         This piece has a different feel.  It is Gospel rather than Jazz. 
·         Review your lyrics!!!  Make sure you know them perfectly!  Do not be the weak link! 
·         Sopranos – Review “Somewhere” section.  Be ready to come in strong!  Also, check on the movement from the note D to C-natural in measures 39-40.  Some of you are still singing a C-sharp in measure 40 on the word “somewhere” rather than the c-natural indicated. 

For our next rehearsal on Wednesday, February 11th

Sing Legato book
·         Practice Warm up #1 Sing Legato. You should be able to sing this beautiful melody in all three given keys
(C maj, D major and E major) on words, counts, solfege syllables and, most challenging of all, on note names.
·         Work on expanding your breath support by singing the entire song on two breaths (one before the first note, second in the middle, on the rest.) To deepen the challenge, take the tempo slower each time and note how slow you can go!

Continuing with our spring repertoire:
·         Please, review the two songs we have started in January: Ol’ Time Religion and Day Break.
You need to listen to recordings of both pieces (see links below) and have a very strong idea of the each composition’s shape, mood, tempo and message as well as understanding your vocal part.
Here is a link to Cantabile performing Bedu Pako 3 years ago https://www.youtube.com/watch?v=r2015BMd2Do
Below is a link to a great performance example of Day Break




Friday, December 5, 2014

Final Concert Reminders

Dear Ensemble and Vocalise singers and families,

TOMORROW is our big Holidays With Cantabile concert! Please check your email for final concert reminders, and see below. Your conductors are looking forward to making incredible music tomorrow with all of you wonderful people!


Saturday, December 6 Holidays With Cantabile concert

Where: Cathedral Basilica, San Jose
Bravi Call Time: 9.45 am
Aria Call Time: 10.00 am
Vocalise Call Time: 10.30 am
Ensemble Call Time: 10.45 am
Uniform: arrive wearing Cantabile concert uniform, make-up and hair done - there will not be time or space to change and there will not be shared make-up available
Sign in: with Choir Parent at the curb - Cantabile volunteers will walk your child to Parish Hall
Sign out: in Parish Hall with Choir Parent - at the end of the concert, please follow the choirs to Parish Hall. Ensemble, Vocalise & Bravi Upstairs will be signed out from the upstairs room.
Reminder: This is an exciting, but long day that demands complete focus and lots of energy for many hours. Please make sure that you have a big, hearty breakfast before arriving for your call time! Please also remember your water bottle!

O Sifuni Choreography

Click HERE to see a choreography video I made for O Sifuni. Please note that to make it easier, I’ve recorded the moves as a mirror image of you, so when I move left, you move right. :) 

Ensemble Practice Recordings


Please have a practice session with these one last time before tomorrow! Click HERE to access the files. Remember that you are singing all those English interjections in O Sifuni!

Ensemble Musicianship

Musicianship books have now been collected for review. Please contact Cassie if you have not yet handed yours in. 

Concert Repertoire List/Order

In approximate order:

O Sifuni Mungu (All Choirs)
Prep 3 and Intermediate pieces
Cool Yule (Intermediate and Ensemble)
Inflammatus (Ensemble)
Vois Sur Ton Chemin (Ensemble)
Jesus Child (Ensemble)
Magic Prayer (Ensemble)
Bravi pieces
INTERMISSION
Aria pieces 
Wie Lieblich (Vocalise)
Carols and Lullabies 
It’s the Most Wonderful Time (Ensemble, Vocalise, Bravi)
Star Carol (All Choirs)
Silent Night (All Choirs)

Ensemble Rehearsal Notes

O Sifuni Mungu - Sing ALL English lines! Watch me for choreography at key change section.

Cool Yule - Soloists begin the piece standing at the side and then come out onto the dais on my gesture.

Inflammatus - Phrasing! Diction! Strong consonants like "CConfoveri"! Be careful not to push sound, and to sing with long vowels ("IIIIIInflammatus...", not "iNNNNflammatus...")

Vois Sur Ton Chemin - “de” sounds like “duh”, not “deh”. 

Jesus Child – MEMORIZE WORDS. Light, excited, like telling a story to little kids. Crescendo into the choruses strongly. Because of the acoustics in the church, watch me for a steady tempo that is slower than we're used to! 

Magic Prayer - Legato, gentle, soaring like a bird in flight. Deliver exciting crescendos and diminuendos but don't push the sound.

Star Carol – MEMORIZE WORDS! Final verse is BIG - sing out! Big crescendo at the end!


Vocalise Rehearsal Notes

Please note that you are no longer performing Gloria at the concert.

O Sifuni Mungu
-       Learn ALL English “interjections” in case we add you to P3 and Intermediate
-       Review your pitches on page 12 – they are different than all other “O Sifuni Mungu” lines
-       Review notes (chords) on page 14 (“All men, all creatures, etc”) – these chords are different than the first time you sing this chorus on page 8-9
-       Review notes on last page, measure 152-end
-       Watch choreography video and practice with it!
-        If you’re interested in any of the solos, please prepare them for next week

Wie Lieblich - Click HERE for a recording
-       Memorize all dynamics
-       Measure 12: lean into LIEB-lich
-       Measure 18: like a march
-       Measure 37: more insistent as each part enters in imitation, cresc. all the way to 49
-       Measures 70-72: A good “fp”

Carols and Lullabies - Click HERE and HERE for recordings
-       Carol #1: this one needs the most work on memorization – it’s not as easy as it seems!
-       Carol #2: Know how many measures of piano are between each verse. Light second syllables!
-       Carol #3: Those interested in solos be prepared to sing them next week
-       Carol #4: Watch Elena carefully for breaths and phrasing
-       Carol #6: Straight to the “ng” in “ding” or “dong”. Those on the first, fourth, and fifth staves on        page 49 measure 59: practice your accuracy on those quick “ding dongs”
-       Carol #9: Light, a rocking motion (rocking the Baby King to sleep). Review dynamics/accents. Make sure you’ve looked at and memorized the slower sections.

The Most Wonderful Time
-       Careful of the text on the verse “with those holiday greetings…”

Star Carol
-       All verses memorized! Know your notes on the “Ahs” at rehearsal letter C

Silent Night
-       Verse 1 in two parts
-       Verses 2 and 3 in three parts – NO Vocalise singers on the melody


HAPPY HOLIDAYS WITH CANTABILE!

Friday, November 28, 2014

Rehearsal Blog Update 11/28/2014

Dear Ensemble and Vocalise singers and families,

Happy Thanksgiving! I hope you have all enjoyed a delicious meal/time with your family and loved ones.

Below is your Holidays With Cantabile concert week schedule, and your final set of detailed practice instructions!

Concert Week Schedule

Monday, December 1 Dress Rehearsal #1 at Cathedral Basilica of St. Joseph, San Jose
Aria: 4.30 pm Call Time / 7.45 pm Release Time
Vocalise: 5.00 pm Call Time / 7.45 pm Release Time
Ensemble: 6.00 pm  Call Time / 8.30 pm Release Time
Please note: All call times listed are the times that you are to be seated in the church ready to go on stage. Please allow extra time for traffic/parking/drop-off.
Wear: wear Cantabile concert uniform and soft-soled shoes
Bring: concert shoes, water bottle, music, snack, coat, musicianship book if in Ensemble
Sign in: with the Choir Parent at the curb - Cantabile volunteers will walk your child into the church
Sign out: singers sign out with the Choir Parent in the Vestibule - Cantabile volunteers will walk your child down to the curb to meet you.

Reminder: There is not a long break scheduled on this evening so please make sure that you have a big, hearty snack before arriving. Don't arrive hungry - arrive with lots of energy! 

Wednesday, December 3 Dress Rehearsal #2 at Cathedral Basilica, San Jose
Call time for all singers: 4:30pm in the pews ready to go on stage
Release times: 8:00pm for Ensemble, 8:30pm for Vocalise, 8:45pm for Aria
Wear: NO uniforms - wear WARM clothing and soft-soled shoes eg. sneakers (bring a coat)
Bring: coat, water, snack, homework/something to do during the break. Ensemble has a 25-minute break and Vocalise has a VERY LONG break. You will want to spend this time going over your concert music if needed, and/or doing another silent and productive activity.
Sign in: with the Choir Parent at the curb - Cantabile volunteers will walk your child into the church
Sign out: singers sign out with the Choir Parent in the Vestibule - Cantabile volunteers will walk your child down to the curb to you.


Saturday, December 6 Holidays With Cantabile concert at Cathedral Basilica, San Jose
Bravi Call Time: 9.45 am
Aria Call Time: 10.00 am
Vocalise Call Time: 10.30 am
Ensemble Call Time: 10.45 am
Uniform: arrive wearing Cantabile concert uniform, make-up and hair done - there will not be time or space to change
Sign in: with Choir Parent at the curb - Cantabile volunteers will walk your child to Parish Hall
Sign out: in Parish Hall with Choir Parent - at the end of the concert, please follow the choirs to Parish Hall. Ensemble, Vocalise & Bravi Upstairs will be signed out from the upstairs room.
Reminder: This is an exciting, but long day that demands complete focus and lots of energy for many hours. Please make sure that you have a big, hearty breakfast before arriving for your call time!


O Sifuni Choreography

Click HERE to see a choreography video I made for O Sifuni. Please note that to make it easier, I’ve recorded the moves as a mirror image of you, so when I move left, you move right. :) 

Ensemble Practice Recordings


Recordings have been emailed to you. I have also placed all recordings in a google drive file available for download at any time. Click HERE to access the files. NEW: O Sifuni recordings for all parts that go from the second verse through that tricky key change section and to the end. Please download your own part:

Soprano 1 in two and three parts: "O Sifuni Ensemble S1"
Soprano 2 in three parts, Soprano in two parts: "O Sifuni Ensemble S2/S"
Soprano 2 in three parts, Alto in two parts: "O Sifuni Ensemble S2/A"
Alto in two and three parts: "O Sifuni Ensemble Alto"  --> my last two notes got cut off - sorry! - but I think you know them :)

Please download and listen to these (and the other practice recordings) as many times as possible. That key change section in O Sifuni is tricky but you will nail it with a few listens. Please make sure that you are practicing all those English interjections that I am singing in your recordings - you will need to sing them, too!!

Ensemble Musicianship

Please bring your musicianship books (along with your music binders) on Monday, Dec. 1st. I will be collecting them to see how you’re doing. (Do not complete additional pages between now and Dec. 1st – any extra time should be spent on your repertoire.) Books will be re-distributed at the first rehearsal after the winter break; however, if you are interested in keeping your book over the holidays, please email cassie@cantabile.org and we can easily arrange a pick-up.

Concert Repertoire List/Order

In approximate order:

O Sifuni Mungu (All Choirs)

Prep 3 and Intermediate pieces

Cool Yule (Intermediate and Ensemble)
Inflammatus (Ensemble)
Vois Sur Ton Chemin (Ensemble)
Jesus Child (Ensemble)
Magic Prayer (Ensemble)

Bravi pieces
INTERMISSION
Aria pieces (tba)

Wie Lieblich (Vocalise)
Carols and Lullabies 1, 2, 3, 4, 6, 9 + Fum, Fum, Fum

It’s the Most Wonderful Time (Ensemble, Vocalise, Bravi)

Star Carol (All Choirs)
Silent Night (All Choirs)

Ensemble Rehearsal Notes

Pieces that need work on memorizing text: Star Carol, Jesus Child, Silent Night
Pieces that need work on securing notes: Magic Prayer, O Sifuni page 11-end,
Pieces that need careful review and diligent practice: ALL! :)


O Sifuni Mungu – REVIEW PAGE 11-END

-       Learn ALL English “interjections”
-       For the key change section: altos review your notes at the key change (bottom of pg. 11), and come in on “Let all things their creator bless” along with P3 and Int. Sopranos stay on your held “D” in measure 110. All voices sing the English interjections again (including sopranos) starting on “And worship Him in humbleness”. Both parts please review your pitches on page 12 – they are different than all other “O Sifuni Mungu” lines!
-       All parts review notes (chords) on page 14 (“All men, all creatures, etc”) – these chords are different than the first time you sing this chorus on page 8-9!
-       Review notes on last page, measure 152-end
-       Watch choreography video and practice with it!

Cool Yule
-       Remember gestures we added at the end
-       Thank you to everyone who tried out for the solo. You all TRULY did a fabulous job and made my decision almost impossible! Any one of you could have performed the solo easily. My final decision was based not only on your individual audition performances, but also on how well certain voices blended with others to form our two solo groups. The soloists, as mentioned in our previous rehearsal, will be: Lara Babu, Liya Land, Jasmine Pao, Mary Shenouda, Abigail Caine, Kristin Cheung, Karuna Dharan, Laura-Ann Moore, Riva Rubin, Sarina Singh, Ishita Sood, Sophie Wang.

Inflammatus
-       Measures 14-17 (your first 4 measures): Long vowels --> “iiiin fla”, not “innn fla”
-       Measures 18-19: lean into “di” and then come off (“in DIIIiiie, juDIcici”)
-       Measures 20-23: start quietly and build over the four measures, with a crescendo-diminuendo inside each of those measures (i.e. “inflammaAAAtus et acceEEENsus…” etc.)
-       Measure 24: tiny forte-piano on “di”, then a slow, exciting crescendo through to the third beat of measure 25, and a final diminuendo in measure 26 on last two notes
-       Measure 30: strong alto entry, lots of “f” and “c”
-       Measure 32: sopranos come in strongly to match the altos
-       Measure 34: good “C” on “CConfoveri”
-       Measure 36: another good “C”, and a long vowel (“CCooon-fo-ve”, not “coNNN-fo-ve”)
-       Measures 37-40: slow crescendo lead by the sopranos, altos follow
-       Measures 41-42 and again in 45-46: subito piano, crescendo-diminuendo on “cooon-fooo-VEEE-re”
-       Measures 43-44 and 47-46(end): forte, good “C”, and a crescendo-diminuendo on “CCooon-fooo-veeeEEEERI GRAaaatia”  :)

Vois Sur Ton Chemin
-       “de” sounds like “duh”, not “deh”
-       Listen to practice recording of spoken text (sent via email)
-       Watch conductor for tempo so this doesn’t drag

Jesus Child – MEMORIZE WORDS
-       Light, excited, like telling a story to little kids
-       Crescendo into the choruses strongly
-       Watch conductor and be ready for tempo changes in measures 33-35, 39-41, and at the end
-       Altos review all pitches
-       Memorize the dynamics of EACH verse and chorus. In general, the verses get louder as we go from beginning to end (if we sing them all at the same volume this piece will get boring!)

Magic Prayer
-       Legato, gentle, soaring like a bird in flight
-       Make sure you’re solid on your pitches – practice finding them after those long instrumental interludes
-       Memorize DYNAMICS – especially on the last page. Be ready for all crescendos/diminuendos and the final crescendo on the last phrase. Cresc. all the way through the final note to the last beat!

The Most Wonderful Time
-       Altos: please review your pitches!!!
-       All: careful of the text on the verse “with those holiday greetings…”

Star Carol – MEMORIZE WORDS!
-       “See his star shining bright in the sky this Christmas night” all in ONE breath
-        “Hurry to Bethlehem…” is soft, light, energetic, and with a big “H” on “Hurry”!
-       All verses memorized except “See he lies…” (measures 28-36), which is sung by Prep 3 and Intermediate. Come in again at measure 38.
-       The chorus in measures 38-46 is legato and gentle (different from the other more spirited ones)
-       Final verse (“Let us all…”) and chorus are BIG – sing out!

Silent Night
-       Verse 1 in two parts, verses 2 and 3 in unison
-       Bravi boys sing your Bravi part


Vocalise Rehearsal Notes

Please note that you are no longer performing Gloria at the concert.

O Sifuni Mungu
-       Learn ALL English “interjections” in case we add you to P3 and Intermediate
-       Review your pitches on page 12 – they are different than all other “O Sifuni Mungu” lines
-       Review notes (chords) on page 14 (“All men, all creatures, etc”) – these chords are different than the first time you sing this chorus on page 8-9
-       Review notes on last page, measure 152-end
-       Watch choreography video and practice with it!
-        If you’re interested in any of the solos, please prepare them for next week

Wie Lieblich - Click HERE for a recording
-       Memorize all dynamics
-       Measure 12: lean into LIEB-lich
-       Measure 18: like a march
-       Measure 37: more insistent as each part enters in imitation, cresc. all the way to 49
-       Measures 70-72: A good “fp”

Carols and Lullabies - Click HERE and HERE for recordings
-       Carol #1: this one needs the most work on memorization – it’s not as easy as it seems!
-       Carol #2: Know how many measures of piano are between each verse. Light second syllables!
-       Carol #3: Those interested in solos be prepared to sing them next week
-       Carol #4: Watch Elena carefully for breaths and phrasing
-       Carol #6: Straight to the “ng” in “ding” or “dong”. Those on the first, fourth, and fifth staves on        page 49 measure 59: practice your accuracy on those quick “ding dongs”
-       Carol #9: Light, a rocking motion (rocking the Baby King to sleep). Review dynamics/accents. Make sure you’ve looked at and memorized the slower sections.

The Most Wonderful Time
-       Careful of the text on the verse “with those holiday greetings…”

Star Carol
-       All verses memorized! Know your notes on the “Ahs” at rehearsal letter C

Silent Night
-       Verse 1 in two parts
-       Verses 2 and 3 in three parts – NO Vocalise singers on the melody


Happy Thanksgiving and Happy Practicing!